Saturday, January 26, 2013

Fein, Nathaniel, Babe Ruth bows out. 1948. George Eastman House
For me the the low angle and rear vantage point from which this photograph was taken bestow Ruth as a symbol of worship and place the viewer at his feet. The vantage point that Fein chose gives us a behind the scenes glimpse. We can see the other photographers setting up to take similar angled shots but from our vantage point we see a slight weakness, Ruth is still imposing and commands the stadium but he stoops ever so slightly, his arms at his side his bat no longer feared but acting as a cane--he looks weary, defeated.

He stands on the baseball diamond in the stadium aptly called 'the house that Ruth built' for the final time as his number is retired.  Ruth would die two months later.

3 comments:

  1. Good observations Jack. Wonder why Fein would choose to frame the image with the other photographers and the rest of the team, and not just Ruth and the fans. There is a great poignance in the way he is standing.

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  2. I love this photo. I've never seen it before, and it immediately caught my attention. It's interesting how there's a sense of excitement and movement in the crowd in this still shot. Overall, I think the vantage point is what makes the photo so great. The photo is framed by the lines of the diamond and the line of people--his support system, his friends, loved ones. The vantage point, however, is from behind and a down low. As Jack said, it's almost as if we are paying our respects to him just by looking at the picture. The focus is on right field--Ruth was a right fielder. The overall tone of this to me is triumphant, yet relieved.

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    Replies
    1. Well said Natalie, I totally agree.

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